Drama about a patriotic bodyguard who was abandoned by his country and colleagues, a hidden daughter of leading Presidential candidate who regards love as a tool for revenge, and the First Lady contender who hides her ambition and charisma behind a kind and friendly personality.

Two detectives who survive a shark attack, join forces to hunt a serial killer that is also hunting them.

Outlaw Star follows the outlaw Gene Starwind and his eleven year-old business associate, Jim Hawking. Together they run a small jack-of-all-trades business on the backwater planet Sentinel III. After the two take a job as bodyguards for a mysterious outlaw, they find themselves the owners of the XGP15A-II, a highly advanced prototype spacecraft, and the caretakers of a bio-android named Melfina, The series follows the exploits of the slowly growing ragtag crew.

Beck follows the Swedish police officer Martin Beck and his partner Gunvald Larson investigating various crimes.

Desperate Housewives is an American television comedy-drama-mystery series created by Marc Cherry and produced by ABC Studios and Cherry Productions. It aired Sundays at 9 P.M. Eastern/8 P.M. Central, on ABC from October 3, 2004, until May 13, 2012. Executive producer Cherry served as showrunner. Other executive producers since the fourth season included Bob Daily, George W. Perkins, John Pardee, Joey Murphy, David Grossman, and Larry Shaw.

The main setting of the show was Wisteria Lane, a street in the fictional American town of ‘Fairview’ in the fictional ‘Eagle State’. The show followed the lives of a group of women as seen through the eyes of a dead neighbor who committed suicide in the very first episode. The storyline covers thirteen years of the women’s lives over eight seasons, set between the years 2004–2008, and later 2013–2017. They worked through domestic struggles and family life, while facing the secrets, crimes and mysteries hidden behind the doors of their — at the surface — beautiful and seemingly perfect suburban neighborhood.

The show featured an ensemble cast, headed by Teri Hatcher as Susan Mayer, Felicity Huffman as Lynette Scavo, Marcia Cross as Bree Van de Kamp, and Eva Longoria as Gabrielle Solis. Brenda Strong narrated the show as the deceased Mary Alice Young, appearing sporadically in flashbacks or dream sequences.

Hart to Hart is an American television series, starring Robert Wagner and Stefanie Powers as Jonathan and Jennifer Hart, a wealthy couple who moonlight as amateur detectives. The series was created by writer Sidney Sheldon and produced by Aaron Spelling and Leonard Goldberg. It ran from 1979 to 1984 on the ABC Television Network.

A critical and often humorous look at the upper class, tracking the protagonist’s harrowing odyssey from a deeply traumatic childhood through adult substance abuse and, ultimately, toward recovery.

Life on Mars is a science fiction crime drama television series which originally aired on ABC from October 9, 2008 to April 1, 2009. It is an adaptation of the BAFTA-winning original UK series of the same name produced by the BBC. The series was co-produced by Kudos Film & Television, 20th Century Fox Television and ABC Studios.

The series tells the story of New York City police detective Sam Tyler, who, after being struck by a car in 2008, regains consciousness in 1973. Fringing between multiple genres, including thriller, science fiction and police procedural, the series remained ambiguous regarding its central plot, with the character himself unsure about his situation. The series also starred Harvey Keitel, Jonathan Murphy, Michael Imperioli, and Gretchen Mol.

Life on Mars garnered critical praise for its premise, acting, and depiction of the 1970s but suffered from a declining viewership after its premiere and a two-month hiatus. ABC announced on March 2, 2009 that it would not be ordering a second season. A DVD set of the complete series was released on September 29, 2009.

Magic Knight Rayearth is a Japanese manga series created by Clamp, an all-female manga artist team consisting of Satsuki Igarashi, Ageha Ohkawa, Tsubaki Nekoi and Mokona. Appearing as a serial in the manga magazine Nakayoshi from the November 1993 issue to the February 1995 issue, the chapters of Magic Knight Rayearth were collected into three bound volumes by Kodansha, and published from July 1994 to March 1995. A sequel was serialized in the same manga magazine from the March 1995 issue to the April 1996 issue, and was published by Kodansha in three bound volumes from to July 1995 to April 1996. The series follows three eighth-grade girls who find themselves transported from modern-day Japan into a magical world, where they are tasked with rescuing a princess.

Rayearth combines elements from the magical girl and mecha anime genres with parallel world fantasy. The manga was adapted into two anime series in 1994 and an original video animation in 1997.

Clark and Ross Edwards are brothers and partners in a unique agency committed to solving clients’ problems using the hard science of psychological manipulation. Clark is a former professor and a world-renowned expert in the field of human behavior. He has a checkered history due to bipolar disorder, which sometimes results in quirky, manic episodes. His older brother Ross is a slick con man who spent time in prison. Each in their own way knows what makes people tick. Drawing from the most cutting edge research in psychology, they can a tailor a plan to influence any situation. It’s a little bit science, a little bit con artistry plus a smattering of Jedi mind tricks. The brothers, along with their team of master manipulators are offering clients an alternative to fate.

Follow along as American fighters embedded with the Kurdish YPG militia in Syria, and medics supporting a coalition of local forces in Iraq, begin the difficult push to retake ISIS’ capital cities.

A darkly comic look at members of a dysfunctional L.A. family that run a funeral business. 

When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as–and far less predictable than–the one inside.