Camp Death III in 2D!’ is a crude, corny & Canadian comedy/horror 80’s slasher parody of ‘Friday the 13th Part III in 3D’ and is proudly presented in two dimensions.
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On vacation at a remote lake house, a mother and her two young daughters must fight for survival after falling into a terrifying and bizarre nightmare conceived by a psychopath.
Following a nervous breakdown, Gwen takes up the job of head teacher in the small village of Haddaby. There she can benefit from the tranquillity and peace, enabling her to recover fully. But under the facade of idyllic country life she slowly unearths the frightening reality of village life in which the inhabitants are followers of a menacing satanic cult with the power to inflict indiscriminate evil and death if crossed.
Divorced and demoralized Amy Minsky’s prospects look bleak when she is condemned to move back in with her parents at the age of 35. Everyone wants to help, but, as her patience level with advice is plummeting, a bold teenage boy enters her life, igniting her last bit of self-esteem. What ensues is an unconventional love story infused with all the good things Amy needs to get on in life, and that just may include great sex.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
In the final days of World War II, the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where the ceremony is taking place, but not before a demon – Hellboy – has already been conjured. Joining the Allied forces, Hellboy eventually grows to adulthood, serving the cause of good rather than evil.
A Southerner–young, poor, ambitious but uneducated–determines to become something in the world. He decides that the best way to do that is to become a preacher and start up his own church.
From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.
A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her.
Sam Bowden witnesses a rape committed by Max Cady and testifies against him. When released after 8 years in prison, Cady begins stalking Bowden and his family but is always clever enough not to violate the law.
Celeste and Jesse met in high school and got married young. They laugh at the same jokes and finish each other’s sentences. They are forever linked in their friends’ minds as the perfect couple – she, a high-powered businesswoman and budding novelist; he, a free spirit who keeps things from getting boring. Their only problem is that they have decided to get divorced. Can their perfect relationship withstand this minor setback?
