Tracing the history of adult films, from ‘Deep Throat’ and ‘Devil in Miss Jones’ to the high-definition, big budget movies of today, this documentary chronicles the most important, critically acclaimed and sexiest movies in history. Features clips from the 32 greatest adult movies ever produced and in-depth interviews with the biggest stars in adult film history, like Jenna Jameson, Ron Jeremy, Marilyn Chambers, Christy Canyon, Jessica Drake, Georgina Spelvin, Allie Haze, Andrew Blake, Stoya, Constance Money and Kay Parker.

A portrait of controversial Breitbart honcho and Donald Trump advisor, Stephen K. Bannon.

Nick Koenig, aka Hot Sugar, is in a hot mess. Considered a modern-day Mozart, the young electronic musician/producer records sounds from everyday life—from hanging up payphone receivers to Hurricane Sandy rain—and chops, loops and samples them into Grammy Award–nominated beats. He’s living the life every musician dreams of, complete with an internet-phenom girlfriend, rapper/singer “Kitty.” But when she dumps him, Hot Sugar is set adrift. Fleeing to Paris, he tries to regroup, searching for new sounds and a sense of self. Filmmaker Adam Lough mixes scenes of Hot Sugar at work on his vintage recording devices with surprising soul-searching reflections he offers to the camera. As tweets and posts about the broken couple blow up on the internet, Hot Sugar’s road trip presses onward, revealing even more exotic layers of the man and his music. Fun and flash, this lyrical journey offers audiences a fascinating peek into a modern artist’s creative process.

What’s “organic” really? Are people better off eating organic foods? Are organic farms better for the environment? This film looks into the organic food industry and explore its shortcomings. We will explore cost, access, and health. Most importantly, it will examine paths towards a truly organic, self-sustaining agriculture system with local farmer’s markets, urban farmers, and school gardens inspiring new solutions.

With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and David’s rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they’re good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

Aliens and UFOs are more real than ever before. Thousands of sightings by highly credible witnesses worldwide cannot be denied. The big question is not whether the Aliens are here among us, monitoring us, perhaps preparing us for some kind of end game that will change humanity forever, but why is the government and military still denying the fact that we are not alone? While many of the sightings every year are debunked, it’s the ones that defy description, obliterate our notions of physics and science and exhibit other worldly capabilities beyond our grasp. The mind blowingly bizarre and most mysterious Alien Encounters of all, these are the cases we call Alien Chronicles.

A young family leaves their home on Kauai. It is time to return to the itinerant path from which all things in their uncommon lives come; beginning and ending on a remote dot in the Pacific. They nomadically trace continents to places where waves meet their edges, envoys of aloha. It is what they will learn, what they bring others, what they will pass on to their children in the hyper-expanded classroom, the lab of direct being; a legacy passed from a father to his family.

Odette Springer is working in the B movie industry as a singer/composer, hating it but needing the work. She begins making this documentary about the low budget sex and slasher flicks and the people who work on them. Along the way, she meets unrepentantly boorish producers, directors arguing the legitimacy of what they’re doing and numerous actresses who feel trapped, with no other way to succeed in Hollywood. The project is eye-opening to the viewer…and to Odette herself.

An examination of a failure of justice in Arkansas. The documentary tells the hitherto unknown story behind an extraordinary and desperate fight to bring the truth to light. Told and made by those who lived it, the filmmakers’ unprecedented access to the inner workings of the defense, allows the film to show the investigation, research and appeals process in a way that has never been seen before; revealing shocking and disturbing new information about a case that still haunts the American South.

A massive data breach results in the release of millions of secret documents revealing the confidential inner-workings and mysteries of Santa’s entire Christmas operation.