Two Los Angeles police detectives, cynical veteran Malloy and cocky rookie Dietz, hunt for a serial killer, an ex-cop named Taylor, whom randomly chooses his victims from a phone directory.
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When a doctor looking for her missing child awakens to find herself in an abandoned school, she must survive the supernatural terror and face her own demons if she is to find the truth about where her son is.
Legendary filmmaker Werner Herzog returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
Young Hana had lost everything in the earthquake and tsunami and was being taken care of by a relative named Jungo. As Hana grew up she began to fall in love with her own relative.
During a robbery at a smart stop an EMT is faced with two victims; a pregnant lady and a man shot but still alive. When having to choose which to save first the injured man tells her take the pregnant lady, and she does. On her way back to get the man he is killed by the robber. Now the man’s wife, Victoria, has been planning for ten years to exact revenge on her husband’s death.
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
The film pits a humble small-town lawyer against a hard-headed big city prosecutor. Emotions flare as a jealous army lieutenant pleads innocent to murdering the rapist of his seductive, beautiful wife.
A story about a madman with a movie camera. He’s a narcissist, nihilist, sexual sadist and killer of innocent women. His name is Charlie and WILD IN BLUE is his world: a place of evil, violence and perversion where only his camera tells the truth. He set out to make an honest film for you – no lies whatsoever – and after the madness and all the hate, you will love him.
When two medical students find themselves dangerously indebted to a sadistic loan shark, they become embroiled in an illicit black-market organ transplant scam in order to save their lives. ‘Muggers’ is a twisted, hilarious, pitch-black comedy about friendship, poor choices and the drag of student debt.
In a vein similar to Bond movies, a British agent Philip Calvert is on a mission to determine the whereabouts of a ship that disappeared near the coast of Scotland.
An adrenaline seeking snowboarder gets lost in a massive winter storm in the back country of the High Sierras where he is pushed to the limits of human endurance and forced to battle his own personal demons as he fights for survival….
At a Catholic public school, Benjamin Stanfield is tired of being the teacher’s pet and decides to play a practical joke on his form master Father Goddard. In confession, Stanfield tells Goddard that he has accidentally murdered his friend Blakey and buried him in the forest. When Goddard investigates the matter, he finds a buried scarecrow. Goddard is outraged, but, due to the seal of confession, he knows he cannot expel Stanfield. Shortly after, Stanfield once again enters the confession booth, telling Goddard that what before was a practical joke, he has now made happen. In disbelief, Goddard once again goes to the forest to investigate the matter. This time, he discovers Blakey’s dead body. The plot soon thickens as Stanfield’s fellow student Arthur Dyson mysteriously disappears…
