Braquo is a French crime drama television series created by Olivier Marchal and produced by Capa Drama with the participation of Canal+ in association with Marathon Group, Be-Films and RTBF. It was first broadcast in France from October 12 to November 2, 2009. The first season established a record of audience for an original production of the channel, and has surpassed that of many U.S. productions broadcast by the network. The second season started in Canal+ on November 21, 2011. A third and final season was announced by main actor Jean-Hugues Anglade in 2011.

The name of the series comes from the French “braquage” that describes armed robberies, particularly those committed on banks.

Trigun takes place in the distant future on a deserted planet. Vash the Stampede is a gunfighter with a legend so ruthless he has a $60,000,000,000 bounty on his head. Entire towns evacuate at the rumor of his arrival. But the real Vash the Stampede, the enigmatic and conflicted lead character in Trigun, is more heroic, even though he usually acts like a complete idiot.

Not Available

Not Available

A series of unrelated stories containing drama, psychological thriller, fantasy, science fiction, suspense, and/or horror, often concluding with a macabre or unexpected twist.

It is the year 1967. After five happy years of marriage in New York with Alberto and their young son, Anna Ribera returns to Spain to take her project Velvet to the next level. She and Alberto had been managing all things Velvet from across the ocean and, together with their best friends and partners, had made a name for Velvet as the number one address in the world of fashion and innovation. Now they decide to take the next step and turn their reputation into a franchise, first at home, then abroad. The first step is opening shop in the other great Spanish city, Barcelona, on its world famous promenade, the Passeig de Gracia. There, the second Velvet Fashion Store is about to open its gates, managed by Ana’s good friend Clara who had made it up the career ladder from seamstress to directorial assistant in the Madrid Velvet years.

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.

The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, “I thought it would be interesting to show people that side of the business”. He did not want to present them in a “sensationalized way [that] they’re presented in the press, but as normal people”. The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.

Hickory, dickory, dock — the Dice Man’s back and he’s ready to rock. The semi-true stories of Andrew Dice Clay, whose unique brand of humor often gets him in trouble. Once on top, the comedian now must work to resurrect his career, pay his gambling debts, manage his sons’ rock band, fend off old fans and keep his family afloat.

Love My Way is a Logie Award winning and critically acclaimed Australian television drama series. It won the AFI award for Best Television Drama Series for each of its three seasons.

Love My Way was about a group of thirty-somethings dealing with the ups and downs of life. The series revolves around an extended family unit – Frankie Paige and Charlie Jackson are the separated parents of Lou, and Frankie also lives with Charlie’s brother, Tom. As the series began, Charlie’s new wife Julia is about to have their first child. Frankie’s mother, Di and Charlie’s mother Brenda and father Gerry also have a strong presence in the ongoing story, as does Julia’s ex-lover Howard, who enters into a relationship with Frankie.

Produced by John Edwards and Claudia Karvan, Love My Way starred Karvan, Sam Worthington, Dan Wyllie, Asher Keddie, Brendan Cowell, and Alex Cook. As the program was made for subscription television in Australia, it contained stronger material than most Australian programs: regular swearing, drug use and sexual references.

When the series was launched, much was made of the connection between Love My Way and The Secret Life of Us: both sharing a star, as well as significant creative talent. However, the series is not a continuation of Secret Life, although it does share some thematic concerns.

Rocket Power is an American animated television series that aired on Nickelodeon for three seasons. The show mainly revolves around 4 friends and their daily lives of playing extreme sports, surfing, and getting into some crazy situations.

Cat Chambers is a thief-turned-fixer for the governor of a stunning and seductive Pacific Island paradise. Impulsive, reckless, and irresistible, Cat’s less-than-perfect past gives her an instinctive gift for understanding crime and criminals as she becomes enmeshed in fast-paced, high-octane adventures and island intrigue.

From a young age, 11-year-old son, Max, has identified as a girl and as puberty looms, he begins to present increasing signs of gender variance. When Max was eight, his father, Stephen, left the family home. But as Max’s conviction that he’s in the wrong body intensifies, his distress escalates, and Stephen seizes the opportunity to return to live at the family home and support his son.