A cattle herder and his family who reside in the dunes of Timbuktu find their quiet lives — which are typically free of the Jihadists determined to control their faith — abruptly disturbed. A look at the brief occupation of Timbuktu by militant Islamic rebels.
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It’s a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he’s promised to Gennaro and which Gennaro would like to have to buy a ticket to the plush new movie theater. But grandpa’s not ready to pass on the quarter or pass on to his final reward: he has some unfinished business with a woman from his past, and he enlists Gennaro to act as his emissary.
When Andres and Natalia met by accident, she wasn’t impressed. In time they gravitated toward each other. But Paulo, a troubling figure from Natalia’s past felt otherwise.
A gay movie star struggles to stay in the closet, an art dealer fends off her abusive ex, and a televangelist plots to force his gay son into conversion therapy. Little do they know, their lives are about to converge on a deadly collision course.
The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.
Two childhood friends from South Boston turn to crime as a way to get by, ultimately causing a strain in their personal lives and their friendship.
In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Culloden is a 1964 docudrama written and directed by Peter Watkins for BBC TV. It portrays the 1746 Battle of Culloden that resulted in the British Army’s destruction of the Scottish Jacobite uprising and, in the words of the narrator, “tore apart forever the clan system of the Scottish Highlands”. Described in its opening credits as “an account of one of the most mishandled and brutal battles ever fought in Britain”, Culloden was hailed as a breakthrough for its cinematography as well as its use of non-professional actors and its presentation of an historical event in the style of modern TV war reporting. The film was based on John Prebble’s study of the battle.
