An American family celebrates their 28-year-old daughter’s pregnancy. The celebration is interrupted when a Satanic cult leader, Henrik Brandr, unexpectedly visits their ranch. Henrik offers to pay the family a large sum for ownership of their land. Jacob Richardson, the father, rejects the offer due to the priceless sentimental value of the ranch. Henrik, displeased, begins to put devastating curses on the Richardsons, trying to force them off their land – even if it means murdering them. After suffering unexplainable tragedies, the Richardsons seek help from Marybeth, a white witch high priestess. They soon discover a terrible secret about their house, revealing why their land is so valuable to the cult. They realize they must protect their house from the cult at all costs, and a violent battle between good and evil ensues.
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When a young cellist called Eve Taylor gets kidnapped and imprisoned in a dungeon-like basement, Police Detective Barnbrooke believes it is the work of the notorious psychopath the media has named “The Pied Piper”. But having failed to stop him in over fourteen years and with three other girls missing-presumed dead, Police Detective Barnbrooke knows all too well that if he can’t pin down his only suspect this time, that Eve will find the same fate as the other Pied Piper Victims. Knowing the identity of the Pied Piper is one thing, but proving it in time is a different deadlier story.
Johnny Taylor has a big problem: he LOVES to drown good-looking girls. When he sees water and attractive females together, something in his head begs him to kill – the psychological result of a traumatic near-drowning during his childhood at the hands of a twisted babysitter. Fighting the urge to act on his sinister thoughts most of his adult life, Johnny finally succumbs to his dark instincts when the only work he can find is around water, cleaning pools. Filled with colorful characters, beautiful women and set against the backdrop of the LA party scene, Death Pool encapsulates the desire for fame, the lust for desire, and the urge to kill.
In 2040, a female humanoid A.I. is hacked by her husband and forced to kidnap the U.S. vice president’s son and execute him on live TV, as the culprit seeks revenge for his own son’s death.
This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
Waking in a hospital, bruised and beaten, a young man struggles to piece together the events of a horrifying weekend. Amid flashes of relaxing with friends, the image of a killer begins to emerge – creeping ever closer. Somewhere within his memories and the madness lies the key to the killer’s identity, which, once discovered, may be more horrific than the murders themselves. Set in rural southern Louisiana Jake’s Road is a tale of family and how one moment can rip loved ones apart or bind them forever. With enough twists and turns to keep viewers guessing until the very end, we discover what drives a man to kill all that he loves and fight for all that he has.
April is abducted by a rideshare driver as part of a devious plot to harvest her organs.
On Halloween eve in 1980, local outcast, Julien Cummings, is carelessly murdered. A vagabond witch doctor, Dr. Death, takes matters into his own hands and brings Julien back from the dead to creatively seek brutal revenge on his killers.
It’s a high school summer job for Julia and Alexander – the chance to earn money and work with eccentric, charismatic social studies teacher, Mr. Zenidro. But something else awaits them in the empty, yet mysterious school building. As the past and present begin to blur together so do sanity and madness, and Mr. Zenidro draws them into a lesson on history one can’t find in books.
