With the streets now empty, it isn’t just nature that is taking advantage of this unprecedented global disaster. Spirits are freer than ever before and the spirit of a notorious serial killer, AKA ‘The Locksmith’, is back from the dead and he has even more potential victims. Can self-isolating detective George Parker (Angela Dixon) with the guidance of paranormal expert Jordan Myers (Tony Todd), prevent more young women from becoming victims of The Lockdown Hauntings?
You May Also Like
A group of young martial artists infiltrate an underground pit fighting ring where the loser is chopped up and served in a Chinese restaurant.
Years of treatment at a mental institution for the criminally insane, Norman Bates still can’t quite elude the demands of “Mother.” Vera Miles also returns as the inquisitive woman who is haunted by her sister’s brutal murder and the ominous motel where it all occurred.
Haunted by the death of her husband, Liz uproots her daughter and moves them to a small town, where the real nightmares begin.
When she takes a job babysitting a young boy (Kai Caster) for a night at his family’s remote farmhouse, sweet college co-ed Angie Albright (Sarah Thompson) becomes the target of a scar-covered creep making mysterious phone calls and prowling outside the windows. Angie gets the drop on the would-be killer, but quickly discovers that her nightmare has just begun.
The world is full of zombies and the survivors have barricaded themselves inside a walled city to keep out the living dead. As the wealthy hide out in skyscrapers and chaos rules the streets, the rest of the survivors must find a way to stop the evolving zombies from breaking into the city.
The lives of an action star wannabe, a frustrated family man, and a guilt-ridden boyfriend, intertwine in three tales of sex, violence, redemption, murder, and unthinkable twists all taking place in the City of Angels; Los Angeles, California.
A documentarian named Annie has roped her husband into a project that involves setting up cameras throughout their house. Complications arise when the cameras start showing that same couple in an alternate universe.
In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don’t really care to escape because they are fed and they have a place to live which is, in most cases, probably better than the outside. Crabs and his girlfriend Carmen are put into the camp and all Crabs wants to do is escape.