Mostly Sunny is a documentary that tells the remarkable story of Sunny Leone, the Canadian-born, American-bred adult film star who is pursuing her dreams of Bollywood stardom.

A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?

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How Frans Afman, a banker from the Netherlands, developed a new system for film financing, revolutionized independent filmmaking in Hollywood, but could not prevent it all from crashing down, when ambition of others turned into greed.

MAD AS HELL follows Cenk Uygur’s transformation from unknown talk show host on local Public Access TV to an internet sensation with his online news show “The Young Turks,” which has amassed over one billion views on YouTube. Once Cenk ventures from the internet into national television and lands the 6 PM time slot on MSNBC, his uncensored brand of journalism is compromised and Cenk becomes the nexus in the battle between new and old media.

Rocky Braat went to India as a disillusioned American tourist. When he met a group of children with HIV/AIDS, he decided to stay. He never could have imagined the obstacles he would face. Or the love he would find.

This ifilm is a new documentary that explores the controversial use of marijuana and the evolution of mainstream society. From a dangerous narcotic, listed as a Schedule 1 Drug substance since the 1970s, to the rush to decriminalize it today. What has changed and why? What will the cannabis industry look like in five years? Will it retain its integrity as a homegrown industry or be co-opted by Big Business? Experts, growers, celebrities and politicians weigh in on the future of Cannabusiness

A massive data breach results in the release of millions of secret documents revealing the confidential inner-workings and mysteries of Santa’s entire Christmas operation.

“In 1946, my great-grandfather murdered a black man named Bill Spann and got away with it.” So begins Travis Wilkerson’s critically acclaimed documentary, DID YOU WONDER WHO FIRED THE GUN?, which takes us on a journey through the American South to uncover the truth behind a horrific incident and the societal mores that allowed it to happen. Acting as narrator and guide, Wilkerson spins a strange, frightening tale, incorporating scenes from TO KILL A MOCKINGBIRD, the music of Janelle Monáe and Phil Ochs, and the story of Rosa Parks’ investigation into the Recy Taylor case, as well as his own family history, for a gripping investigation into our collective past and its echoes into the present day.

The story of how one of American television’s brightest and wealthiest stars finally came to face a criminal trial for sexual assault a decade after the accusations were first made.

The millions of Keiko fans around the world finally learn the truth about what really happened when the Free Willy star became the first and only captive orca to be released back into the wild. The most unlikely candidate for release because of his long years in captivity, actually thrived for over 5 years in his home waters, gaining over 3000 lbs during his rehabilitation, mixing it up with wild orcas, swimming across the North Atlantic, and finally passing as a middle aged orca as the only captive orca to ever be successfully rehabilitated and released back to to the ‘wild’ – come join Keiko’s Pod and help Rescue Rehab and Release all of the other whales and dolphins currently in captivity.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.