Iris can best be described as a wallflower. She begins her first day as a temp for the nondescript Global Credit Association by waiting in a chair for two hours…

You’re awake when everyone else is asleep. You’re standing still as traffic is whipping by at 70mph. You see dusk and dawn everyday because they happen on your way to a time clock and then to a bed. Your off hours are spent trying to figure out why you’re here, whether you want to stay, and how to leave.

A group of friends come of age in the asphalt desert of the San Fernando Valley set to a blazing soundtrack and endless drinking, drugs and sex.

A peculiar neighbor offers hope to a recent widow who is struggling to raise a teenager who is unpredictable and, sometimes, violent.

Photographer Holly Logan (Jana Kramer, “Country Crush”) returns to her hometown of Gulfport, Mississippi for Christmas. The town is resurrecting their traditional holiday light show for the first time since a terrible hurricane struck five years earlier. Holly volunteers to pitch in, but soon has second thoughts when she discovers the festival is run by her high school sweetheart, Mike (Wes Brown, “We Are Marshall”).

The story of Swiss painter and sculptor Alberto Giacometti.

After being struck and killed by lightning, a young man recounts the way he blackmailed his fellow classmates into contributing to his literary magazine.

Johan and his family are Mennonites from the north of Mexico. Against the law of God and Man, Johan falls in love with another woman.

Him and her. A husband and a wife staying in a cozy hotel where you can come for just a couple of days with a risk to get stuck forever. It is so easy to get trapped in the daily routine. Indeed, nothing is more permanent than the temporary. Their time is like a flat circle. He has his phone calls and business meetings. She is wrapped in her dreams and doubts. All reactions are predictable, all conversations are learnt by heart. An endless LP record of life keeps playing again and again repeating itself. But a few things can break this tune, like a scratch on the record, a crack on a wine glass, a sudden glance or a meeting with a stranger. And then you know: tomorrow will come soon. Any moment something can go wrong, throw you off course, and force you to make a choice.

Scrooge & Marley is a modern variation on Charles Dickens’ A Christmas Carol. Recounted from a gay sensibility with heart, comedy & music, the magic of Dickens’ timeless tale of a man’s redemption comes alive from a fresh perspective.

A newspaper publisher, wanting to prove a point about the insufficiency of circumstantial evidence, talks his possible son-in-law Tom into a hoax in an attempt to expose ineptitude of the city’s hard-line district attorney. The plan is to have Tom plant clues leading to his arrest for killing a female nightclub dancer. Once Tom is found guilty, he is to reveal the setup and humiliate the DA.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy