Indian biographical sports film directed by Tony D’Souza based on the life of the former Indian international cricketer, Mohammad Azharuddin. It will star emraan hashmi in the lead role alongside Prachi Desai , Nargis Fakhri and Huma Qureshi

The story of the forgotten godfather of modern Formula 1—Jack Brabham—and a son’s quest to defy the odds in the competitive world of international motor-sport once more.

Freedom is defined as the power of self-determination attributed to the will; the quality of being independent of fate or necessity. To reach that level of liberty is a physical and mental endeavor that many will risk their life to obtain. Is life worth risking for the feeling of conquering fear and becoming free? Olympic Freestyle skier, Jossi Wells, meets extreme sports performing artists, The Flying Frenchies, to find out what it really means to be free and what drives individuals to chase such a powerful right. Directed by Toa Fraser, this is the story of men who push themselves to the point of no return. There is no going back when death is at your door and you realize that this is the most important moment of your life because it could be your very last.

Fireboys is the untold story of young men incarcerated in California who are offered a way out: by fighting wildfires. Immersive and personal, this coming-of-age story examines a correctional path that is both hopeful and destructive.

The long creative and romantic relationship between Canadian musicians Chantal Kreviazuk and Raine Maida is explored in this profile filmed on France’s Saint Pierre et Miquelon island.

Sixty-two year old Richard Turner is renowned as one of the world’s greatest card magicians, yet he is completely blind. This is an in-depth look at a complex character who is one of magic’s greatest hidden treasures.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

Ashrita Furman holds the official record for the most Guinness World Records by one individual, including marks for “Largest Hula Hoop,” “Most Apples Sliced in Mid-Air with a Samurai Sword,” and “Longest Distance Bicycling Underwater.” A health food store owner and devotee of meditation, Furman travels the world creating new categories for record achievement. In The Record Breaker we meet Furman, a singularly driven character, and his merry band of compatriots (including Champ the dog) as he’s about to attempt to climb Machu Picchu on stilts.

Traces the life and mental illness of New York artist and photographer Ruth Litoff, and her sister’s struggle to come to terms with her tragic suicide.

Documentary about four friends on a 3,000 mile journey across the American West on horseback.

The controversial bad-boy of comedy delivers a piercing look at his life, lifting the metaphorical smokescreen that he feels has clouded the public view, commenting on everything from the dangers of smoking to the trials of relationships, and unleashing a nonstop litany of raucous anecdotes, stinging social commentary and very personal reflections about life.

This documentary recounts the dysfunctional state of the death penalty in the state of California by revisiting the crimes, arrest, trials and appeals of Lawrence Bittaker, a convicted serial killer who has been on death row at San Quentin since 1981.