Charles Lloyd was one of the most influential jazz musicians of the 1960s. His music crossed traditional boundaries and explored new territories. Catapulted into worldwide fame in his 20s, by his early 30s, he abandoned his life of touring and recording and went into seclusion in Big Sur, CA. Circumstance brought him back to a public life in the late 1980s. ‘Arrows Into Infinity’ is a journey in sound through the unusual life and career of this jazz legend. Lloyd’s own voice, and those who worked with him over the last five decades help us discover and better understand this enigmatic man and his spiritual pursuit through music. This film is a collaborative work between Lloyd’s wife Dorothy Darr; a painter, and videographer/filmmaker, Jeffery Morse.

Quest of the Muscle Nerd is a quirky and heartwarming documentary about one man’s dream to host the first ever Bodybuilding/Cosplay competition and the two men who drag their bodies through hell to claim the crown.

A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

In 1984—before cell phones, the web, and reality TV, a young director set out to document a year in the life of a typical California high school. The result was “All American High”, an unusually honest and humorous look at 80’s teen life. Told through the eyes of a visiting foreign exchange student, the film presents an uncensored view of senior year in the era of big hair, punks and parachute pants. Thirty years after they lived it, some of the film’s original subjects return in new interviews, revisiting one of the most memorable chapters in their lives.

Valerie Taylor is a shark fanatic and an Australian icon – a marine maverick who forged her way as a fearless diver, cinematographer and conservationist. She filmed the real sharks for Jaws and famously wore a chainmail suit, using herself as shark bait, changing our scientific understanding of sharks forever.

Examines Gabby’s life through the curated lens she created and immerses the viewer in the world of social media sleuthing that was crucial to the case.

The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.

Not Taco Bell Material is Adam Carolla’s first ever stand up special based on his New York Times best-selling autobiography. The performance showcases Adam’s incredible improvisational comedy skills featuring tales from his youth, told through stand-up comedy and photos. It’s hilarious, poignant, and even inspiring.

Director Hannah Livingston spends 6 months tracking two of America’s most radical Christian hate groups – a notorious pastor from Arizona and a network of extremist preachers.

Taking inspiration from Peter M. Bracke’s definitive book of the same name, this epic 7-hour documentary (by the same team behind Never Sleep Again: The Elm Street Legacy) dives into the making of all 12 Friday the 13th films, with all-new interviews from cast and crew.

Pat Tillman never thought of himself as a hero. His choice to leave a multimillion-dollar football contract and join the military wasn’t done for any reason other than he felt it was the right thing to do. The fact that the military manipulated his tragic death in the line of duty into a propaganda tool is unfathomable and thoroughly explored in Amir Bar-Lev’s riveting and enraging documentary.

The Future Doesn’t Need Us… Or So We’ve Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn’t just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?