In the near future, Cameron Turner is diagnosed with a terminal illness. Presented with an experimental solution to shield his wife and son from grief, he grapples with altering their fate.
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A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.
Novella McClure is like most struggling actresses in Los Angeles: she’s in her early 30s, her fake name sounded cooler ten years ago, and she hasn’t landed a role in three years. To top it all off, she’s developed a disturbing habit of eating her own flesh. Novella desperately tries to hide her strange condition from her motherly landlord, Eesha, and somewhat psychopathic best friend, Candice, but her body and mind continue to deteriorate in the depressing world of failed auditions and sketchy night clubs. Can a romantic relationship with her psychiatrist prevent her from self destruction? Or will her fatal habit continue to eat away at her?
Woody Allen meets Frances Ha in this new British drama by first-time feature director, poet, actor and publisher Greta Bellamacina. Greta also stars as Celeste, a young mother trying to carve out a career as a poet in modern-day London. Meanwhile, friend and neighbour Stella (played by co-writer Sadie Brown), dreams of being an actor but spends much of her time babysitting Celeste’s son. Part ode to the city, this is a skilfully observed tale of friendship and family with a refreshingly understated sense of humour.
Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.
A traveling art saleswoman tries to shake off a flaky motel manager who falls for her and won’t leave her alone.
In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.
Former teen idol Nam Hyeon-soo is now in his thirties and working as a radio DJ. One day a young woman named Jeong-nam shows up and claims to be his own daughter. She also has a son whom she claims to be Hyeon-soo’s grandson. Their relation is proven via DNA tests by Hyeon-soo’s brother. This leads to Hyeon-soo attempting to avoid a scandal concerning him having children “unknown” to the media.
A Christian girl, Rachel Whitaker (Jordan Trovillion) goes off to college for her freshman year and begins to be influenced by her popular Biology professor (Harry Anderson) who teaches that evolution is the answer to the origins of life. When Rachel’s father, Stephen Whitaker (Jay Pickett) senses something changing with his daughter, he begins to examine the situation and what he discovers catches him completely off guard. Now very concerned about Rachel drifting away from her Christian faith, he tries to do something about it!
Charlie had hoped to have a completely honest break up. Unfortunately, David is being a real shit about it.
Stet, a troubled and angry 11-year-old orphan from a small Texas town, ends up at a Boy Choir school back East after the death of his single mom. Completely out of his element, he finds himself in a battle of wills with a demanding Choir Master who recognizes a unique talent in this young boy as he pushes him to discover his creative heart and soul in music.
