Rumors of demonic possession at a religious convent prompts a church investigation into the strange goings-on among its nuns. A disaffected priest and his neophyte are confronted with temptation, bloodshed and a crisis of faith.
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It has been over one year since the start of the outbreak. Our society has collapsed and the world has descended into chaos. Elvis and Tweeter are two of the last people left alive, and band together to flee the United States for a remote island somewhere in the Caribbean. On the island, they find a new community struggling to hold out against an army of corpses. They can join this band of survivors– but only if they can do what must be done for the good of the group.
Ken Kaneki (Masataka Kubota) is a university student. He becomes injured by Rize, a human eating ghoul. Ken is saved from the ghoul when a steel frame falls on Rize. They are both sent to the hospital. Ken receives an organ transplant from Rize and becomes a half ghoul.
Dr. Bonner plans to live forever through periodic gland transplants from younger, healthier human victims. Bonner looks about 40; he’s really 104 years old. But people are starting to get suspicious, and he may not make 200.
Are you young, sexually confused, just trying to get by? Do you sing, dance or possess some other talent? Welcome to the Garden Party. At the center of the story is 15-year-old April. She is running from one bad situation into another, hoping to find an answer that doesn’t involve taking off her clothes.
Stagknight is derived from the uncensored lusty straight-to-Drive-In horrors of the 70’s and 80’s, I Spit on your Grave, The Beast, Samurai Assisan, movies that spawned the mighty Evil Dead, American Werewolf in London, later Aliens. Set deep in dark mythical English woods Stagknight presents a uniquely stupid look at this genre through the cracked “Weekend Warriors” paintball team. This is mansville not boytown on a blow-out bachelor paintball weekender bender of dirty tricks, hot babes and truly splatter-tastic medieval kills to die for.
Chernobyl: Abyss is the first major Russian feature film about the aftermath of the explosion at the Chernobyl nuclear power station, when hundreds of people sacrificed their lives to clean up the site of the catastrophe, and to successfully prevent an even bigger disaster that could have turned a large part of the European continent into an uninhabitable exclusion zone.
Still reeling from a traumatic childhood experience with an alcoholic mother and her deranged carnie boyfriend, a mild mannered milquetoast finds himself at the mercy of a monstrous alter ego: a sadistic killer clown with a tickling fetish.
A showman introduces a small coastal town to a unique movie experience and capitalises on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.
