Not satisfied with the result of a murder investigation in Warsaw’s gay community, an officer in 1980s communist Poland resolves to uncover the truth.
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Two brothers separated by one continent and two decades reunite when one of them becomes sick with cancer.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.
Rachel, 27, is raising her mentally retarded sister Gabby, 24, all by herself. When the social worker finds out she leaves her sister alone in the house while at work, she is forced to place her in a day-care center. For the first time in her life she shares the upbringing of her dear sister with someone else, her daily routine collapses and the huge void, left by her sister’s absence, makes room for a man in Rachel’s life. That man, Zohar, tears another crack in the symbiotic relationship of the two sisters. Rachel hangs on to his love as if it was a life belt. But her inability to lead a normal, intimate and emotional relationship with anyone but her sister, forces them into a twisted threesome, where boundaries between love, sacrifice, nurturing and torturing – are broken.
While Chappy Sinclair is saddled with a bunch of misfits and delinquents for his flight school, he turns to his protégé Doug Masters to assist him in rounding them into shape for an important competition. During their training, they stumble upon a group of subversive air force officers who are dealing in toxic waste as a sideline.
A fictional movie star, Gray Evans, goes through the disintegration of his marriage, his gradual mental breakdown, and his increasing obsession with a young film student who reminds Gray of his own life before becoming famous. A dark psychological drama, I Love Your Work explores the pressures of fame and the difference between getting what you want and wanting what you get.
Support for the far right is growing in Britain’s post-industrial towns and cities. This factual drama from the BAFTA-winning team behind Killed By My Debt and the Murdered by… films tells the story of a young man with no secure job, housing or future as he is drawn into a devastating hate crime. A steel-tipped state of the nation drama based on deep research into the realities of life in ‘forgotten Britain.’
Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthralls all who encounter her – but ultimately she must confront her fate, the punishment for her crime.
A father living in the forests of the Pacific Northwest with his six young kids tries to assimilate back into society.
Ghosts of Mississippi is a drama covering the final trial of the assassin, Bryon De La Beckwith, of the 60s civil rights leader Medgar Evers. It begins with the murder and the events surrounding the two initial trials which both ended in a hung jury. The movie then covers District Attorney, Bobby DeLaughters transformation and alliance with Myrlie Evers, wife of Medgar Evers, of the, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Some of the characters are played by the actual participants in this story.
The lives of three people intersect on a late bus ride that’s hijacked by a suicidal political flunky. Shingo is a miserable young desk cop bucking for homicide division. Tetsu is a restroom cleaning attendant who has a mentally ill father and a penchant for mischief. And Saki is a petulant druggist/chemist who was born without an eye and keeps her disfigurement hidden behind shades. Months after the hijacking, the trio lives re-intertwine as they playfully seek revenge for their unhappy lives, until the games become deadly serious.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
