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Ex-con attempting to go straight runs across serious problems. His girlfriend gets arrested for dealing crack to an undercover police officer. In a desperate attempt to get the charges dropped against his woman, he strikes deal with weapons cop to turn in local gun dealers. How ever, the D.A. is not satisfied with the results, resulting in some serious game playing and double crossing.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

When the husband of an affluent woman kills himself, she loses the high life and pretty much everything and ends up on the street, days before she was due to give birth. With nowhere to go and no money, she is attacked and mugged, but a good Samaritan rescues her and takes her to a shelter called God’s Haven, a place of safety where she delivers her baby, but it turns out to be an entirely different world. A world run by danger, desire and deception.

Friends, family, and lovers struggle to find love, forgiveness, and meaning in an almost war-torn world riddled with comedy and pathos. Follows Solondz’s film Happiness (1998).

Set in suburban New Jersey in the 1960s, a group of friends form a rock band and try to make it big.

3 years on from hospitalité, Kiki Sugino and Koji Fukada are back again with this socially-conscious film about a 18-year-old girl in-between adolescence and adulthood who spends a summer in a valley and enjoys romance. Sakuko, a 18-year-old girl studying for her university entrance exams, decides to accompany her aunt Mikie on a trip to a seaside town. There she befriends Takashi, a refugee from Fukushima who has dropped out of high school and works at a motel run by Ukichi, a friend of Mikie. In-between childhood and adulthood, Sakuko starts to understand the difficulties of becoming an adult.

A “romantic comedy” based loosely on the suicide of the poet Henrich von Kleist in 1811.

Remember that really cute guy who said he’d call – and didn’t? Maybe he lost your number. Maybe he’s in the hospital. Maybe he’s awed by your beauty, brains or success. Or maybe… he’s just not that into you.

Bestselling author Angela Young needs to get away from the media circus surrounding her book, but her boyfriend/manager Brad is too busy making deals to listen. Determined to take a break, Angela pulls a disappearing act and drives off to see the fall foliage.

Himura Kenshin is a legendary swordsman who has stopped killing people with his sword. Instead, he uses a dull-edged sword. He tries to live a peaceful life with Kaoru who runs a swordsmanship school in their village. Kenshin’s past catches up to him causing the destruction of Akabeko Restaurant, which was Kenshin’s favorite place to eat. There, he finds a note with the word ‘Jinchuu’ on it.

An ordinary young boy called Nikolas sets out on an extraordinary adventure into the snowy north in search of his father who is on a quest to discover the fabled village of the elves, Elfhelm. Taking with him a headstrong reindeer called Blitzen and a loyal pet mouse, Nikolas soon meets his destiny in this magical and endearing story that proves nothing is impossible…