Peter Fonda plays ‘Heavenly Blues’, the leader of Hell’s Angels chapter from Venice, California while Bruce Dern plays ‘Loser’, his best pal. When they both botch their attempt to retrieve Loser’s stolen bike, Loser ends up in the hospital. When the Angels bust him out, he dies, and they bury him. Nancy Sinatra plays Mike, Blues’ “old lady” and Diane Ladd plays Loser’s wife (Dern’s real-life wife at the time). The plot is basically a buildup to the last half-hour of the film in which Loser’s funeral becomes another wild party.

While Toki and Abigail remain in the clutches of Magnus Hammersmith and the Metal Masked Assassin, the remaining members of Dethklok carry on with their lives while pretending not to care. But as their guilt mounts and their fans become increasingly restless with Toki’s absence, they realize that they must find a way to rescue their brother.

Best friends Katie and Jess are inseparable and have always had each other’s backs. When Jess begins a new serious relationship, Katie is unsure of the new perfect man and famous crime writer, Nick. She wants to support her friend’s newfound happiness but is fiercely protective. Katie’s obsession with Jess soon proves deadly and it is up to the recently vilified Nick to expose the bestie before it is too late.

When a voyeuristic divorcee fixates on the lives of a perfect couple a far, she soon gets embroiled in a murder mystery that unfolds revealing truths about her own life.

Brothers Vincent (rich) and Clay (poor) meet up for the first time after their father’s funeral and remark on how similar they look. But unknown to Clay, who thinks his life is taking a turn for the better, Vince is actually plotting to kill him with a car bomb and pass the corpse off as his own, planning to start a new life elsewhere with his father’s inheritance. But Clay survives the blast and has his face, memory and identity restored in hospital… but are they the right ones?

Priscilla finally gets the job of her dreams so that she is able to send her youngest daughter off to college but later finds out a dark secret that can shake the foundation of their family Christian beliefs. On the otherhand, Priscilla’s husband is also experiencing challenges that could break up the union of their marriage.

A man’s affair with his family’s housemaid leads to a dark consequences. Eun-yi is hired as an au pair for Hae-ra (pregnant with twins) and her rich husband Hoon. Eun-yi’s primary task is watching the couple’s young daughter, Nami. Eun-yi is eager to connect to Nami, who gradually warms to her. Hoon begins to secretly flirt with Eun-yi, enticing her with glasses of wine and his piano playing, and they eventually begin a sexual relationship. Despite the affair, Eun-yi is still warm and friendly to Hoon’s oblivious wife, Hae-ra. She even expresses enthusiasm and delight at the progress of Hae-ra’s pregnancy.

In this revisionist drama, the film delves into the family lineage of Wyatt Williams, the character made famous by Peter Fonda in the original Easy Rider Movie. Centering around the Williams family, and their internal family struggles throughout the eras of the 40’s to present day, as they struggle to connect with one another through the only way they know how. Their love of motorcycles and the freedom of the ride.

Brought together at their childhood home over their dying mother, an estranged family is thrust into a deadly fight for their own survival.

A cataclysmic event causes a man, who dreams of winning the lottery, to become stranded on an island with his co-workers.

In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…