“Muffin Top: A Love Story” is the story of Suzanne (Cathryn Michon) a Women’s Studies Pop Culture professor at Malibu University, who studies images of women in the media for a living, and yet is made insecure by the constant parade of female perfection that is our airbrushed culture. She has been going through IVF treatments to get pregnant by her network executive husband (Diedrich Bader), but discovers on her birthday, that her husband has knocked up his younger, skinnier, co-worker (Haylie Duff) and wants a divorce. Happy Birthday! She goes on to find a more authentic version of who she really is, despite the delights of being suddenly single in Los Angeles, where low self-esteem for women is our number one export to the world.
You May Also Like
When a successful television writer’s daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.
Dracula and Renefield relocate to 70’s era New York in search of Cindy Sondheim (the reincarnation of Dracula’s one true love, Mina Harker). “Trouble adjusting” is a wild understatement for the Count as he battles Cindy’s psychiatrist, Jeffrey Rosenberg (a descendant of Van Helsing who changed his name for professional reasons?), who may almost certainly, possibly, may be in love with Cindy too.
A hilarious underworld gangster known as Munna Bhai falls comically in love with a radio host by the name of Jahnvi, who runs an elders’ home, which is taken over by an unscrupulous builder, who gets the residents kicked out ironically with the help of Munna’s sidekick, Circuit, while Munna is busy romancing Jahnvi elsewhere.
Steve Russell is a small-town cop. Bored with his bland lifestyle, Russell turns to fraud as a means of shaking things up. Before long, Russell’s criminal antics have landed him behind bars, where he encounters the charismatic Phillip Morris. Smitten, Russell devotes his entire life to being with Morris regardless of the consequences.
A bruised and battered Max sits in an interrogation room dressed in a ghoulish costume caked in dried blood. With his alibi littered with two corpses, blood-curdling screams and a tale of “the beast”, this furry man swears he can explain…
It’s a movie for everyone whose life has been thrown off-course, out of whack, or simply not turned out the way they planned it. In other words, it’s a movie for everyone, period. Set in suburban Long Island in the summer of 2002, with the psychic wounds of 9/11 still fresh, A Little Help is a story that takes a comic, searching and profoundly empathetic look at a few pivotal months in the life of dental hygienist Laura Pehlke (Jenna Fischer)-an ordinary woman whose life suddenly flies off the rails-and her heroic efforts to re-establish a sense of security and normalcy for herself and her son.
Two con men selling phony stock flee to Mexico ahead of the law, where they run into a woman friend from their earlier days, who is now a bullfighter.
Purl, an earnest ball of yarn, gets a job at a fast-paced, male-centered startup company. Things start to unravel as Purl tries to fit in with this tight-knit group, but she must ask herself how far is she willing to go to get the acceptance she yearns for and if, in the end, it is worth it.
When a substantial portion of the nation’s populace falls victim to a deadly plague, the tyrannical government quarantines them in camps, offering no alternative except death in this cautionary tale from director Stephen Tolkin. But a gutsy rebel named Torch (Cuba Gooding Jr.) sets out to help the afflicted by leading an underground effort to spirit the victims to humane sanctuary. Moira Kelly co-stars as Gooding’s love interest.
Shirley has important news for her family, but she has five grown children with different lifestyles and finds it difficult to get them and the kids all together. So in steps Madea, the Matriarch General, to put the family’s life in perspective with a hilarious twist on financial difficulties, drugs and, most important, family secrets. The next generation has a lot to learn. In her own way, Madea expresses how deliverance won’t change you to be someone else, but will allow you to be who you really are.