A cynical and burnt-out Los Angeles bounty hunter (Angel Sommers) spends her days surrounded by liars, gamblers, misogynists and other social deviants. And those are just her co-workers. When a contract comes in that’s big enough to fund her dreams of leaving the bounty hunting game and opening her own business, she jumps at the opportunity. The only problem is, the contract is for Tommy Briggs…the man responsible for her father’s murder over a decade ago.
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A doe-eyed knife-wielding killer is on the loose in a small town slicing and dicing men of questionable intent left and right. As her brutality leaves a town littered with corpses, her unquenchable blood-lust is lost on her young lover who is willing to pursue her regardless of the obvious warning signs of psychosis. Will he meet his end at the end of her blade? She decides who lives or dies!
Wind is blasting through your speeding car but the heat still burns your lips. The radio is pounding local pop hits from the 90s. Vodka gets poured down as if to quench a thirst. You let your head fall back and stare at the sky from under your cap, thinking: what the hell should I do with this life? And suddenly, the lyrics hit you – yes, you really need those loving arms around you.
Captures a generational moment – young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who’s having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam’s life revolves around his friends-Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam’s eye.
Taking all that was great from the first installment, ABCs OF DEATH 2 aims to be a wilder, leaner, faster paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.
Meet Isobel. Struggling to make rent, she turns her extra bedroom into extra cash – all while trying to figure out exactly who she is. Spoiler alert: It’s complicated. Strangers is a coming-out-of-age story about finding yourself.
Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”
It’s the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, Deathecation, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
Set over three summers at The Westival, a fictional West Australian rural folk festival redoubtable local radio personality ‘Queenie’ describes as “Australia in a tent”. Two young musicians fall in love against a wider collection of tales dealing with a microcosm of contemporary discussion points, including Indigenous, immigration and refugee issues.
