When a legendary escape artist comes up for parole after 30 years behind bars, a chance for freedom must be weighed against his infamous past.

Professor Genessier is guilt-stricken after his daughter’s face is disfigured in a car accident. He intends to rebuild his daughter’s face via grafting skin tissue; he only needs a supply of donors to experiment on.

When a human head is discovered, the paths of a female student, a cellist, an autistic teenager, a police officer, a prostitute, a teacher and a dog are found to be serendipitously entwined. Who caused the death? What is the motive? Where is the body? Attempts to answer these questions lead to keywords starting with the letter “G”. As the case is peeled back layer by layer, the complexity and desperation of the people living in Hong Kong today are slowly uncovered, and a suspenseful multifarious Hong Kong story is revealed.

Ken is quick to adopt a change in personality by becoming an “on-the-ball” recruit, even more so than “Wayang King” Aloysius. Differing viewpoints sour the friendship between Ken and Lobang. Meanwhile, Ken’s father has become partially paralyzed because of his stroke but is determined to make a recovery. After booking out, Aloysius seeks advice from his parents as he feels excluded from the group; his father (Chen Tianwen) tells him the best solution is not to do anything. Back at Tekong, Recruit IP Man learns about “Real Bullet” Zhen Zidan (Benjamin Mok), an “Ah Beng” who stole his girlfriend Mayoki (Sherraine Low). IP Man hits back by criticizing Mayoki for her inferior qualities.

Mr. Watanabe suddenly finds that he has terminal cancer. He vows to make his final days meaningful. His attempts to communicate his anguish to his son and daughter-in-law lead only to heartbreak. Finally, inspired by an unselfish co-worker, he turns his efforts to bringing happiness to others by building a playground in a dreary slum neighborhood. When the park is finally completed, he is able to face death with peaceful acceptance.

A sheltered, intelligent college student Doug changes his life forever when he hires an underachieving driver Scott. In order to escape his oppressively loving mother, Doug agrees to go on a spontaneous road trip with Scott and his college crush Stephanie. At the height of the journey, a tragic series of events tests their bond and opens the road to self-discovery. Drugs, gambling, and romance await the three friends in this coming-of-age drama.

She was a beautiful fugitive. Fleeing from corruption. From power. He was a professional athlete past his prime. Hired to find her, he grew to love her. Love turned to obsession. Obsession turned to murder. And now the price of freedom might be nothing less than their lives.

In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver.

Glen’s released from prison with expectations from Doo Breezy, with no success. Instead, he and childhood friend Staria take the streets by storm as friend Tee is murdered during a lucrative robbery. After Glenn’s assassination attempt, he decides to master the game, which leads to disloyalty and bloodshed.

Quiet, withdrawn 13-year-old Rynn Jacobs lives peacefully in her home in a New England beach town. Whenever the prying landlady inquires after Rynn’s father, she politely claims that he’s in the city on business. But when the landlady’s creepy and increasingly persistent son, Frank, won’t leave Rynn alone, she teams up with kindly neighbor boy Mario to maintain the dark family secret that she’s been keeping to herself.

A rich and successful lawyer named Counselor is about to get married to his fiancée but soon meets up with the middle-man known as Westray who tells him his drug trafficking plan has taken a horrible twist and now he must protect himself and his soon bride-to-be lover as the truth of the drug business uncovers and targets become chosen.

A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)