An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.

An inspirational story of redemption, Hell of a View tells the tale of a young chef, Sam Rama (Hunter Parrish). After the destruction of his family’s well-established Atlantic City restaurant during Hurricane Sandy, Sam must grow up quickly, taking the biggest risks of his life, both in business and love. When Sam comes to the aid of a wealthy patron (Tim Daly) and then falls for the newly separated Sarah Bell (Ashley Hinshaw), a chain of unexpected events unfolds for all of them, as they discover the only way to achieve their dreams may be to acknowledge what they owe to others, and realize that the greatest investments take more than cash.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

The true story of Christopher Gardner, who invests heavily in a device known as a ‘Bone Density Scanner’, only to find himself struggle to sell the product as it’s just marginally better than the current technology, and much more expensive. His wife leaves him, he loses his house, bank account and credit cards and, now forced to live out in the streets with his young son, he’s desperate to find a steady job. He takes on a job as a stockbroker but, before he can receive pay, he needs to go through 6 months of training, and must sell his devices.

In may 1940, the German troops enter France. Frightened by the progress of the enemy, the people of a small village of Pas-de-Calais decide on the recommendations of the prefecture, to give up everything to go on the road, fleeing to the coast.

A washed up golf pro working at a driving range tries to qualify for the US Open in order to win the heart of his succesful rival’s girlfriend.

A formerly acclaimed graphic novelist goes looking for true connection outside of his marriage, and over the fence.

37-year-old Marta gets married and wants to have a baby. But her toxic relationship with overbearing mother complicates her life in many ways.

Actor Stephen Tobolowsky has acted in over 200 TV shows and films over the past 40 years, possessing one of the most dazzlingly diverse filmographies on the planet. But even more compelling than the stories he’s been apart of onscreen are those he tells offscreen. In ‘The Primary Instinct,’ Stephen plays himself and uses the art of storytelling to take the audience through a riveting and moving journey about life, love, and Hollywood. Along the way, he just may answer one of the questions that’s dogged humanity since the beginning of time: Why do we tell stories in the first place?

Playing opposite the director’s own wife and daughter, Willem Dafoe is a Ferrara-like American artist living in Rome in this improvised drama of doubt and disconnection, shot in self-reflective documentary style.

A powerful and seductive Hollywood mogul convinces an impoverished West Hollywood writer, whose lover has recently died of AIDS, to sell his autobiographical screenplay for big bucks. The writer, Robert, knows he’ll have to make major changes in the script (like changing the sex of the dying lover). During the rewrite, the producer, Jeffrey, takes Robert under his wing, introducing him to his wife Elaine, herself a closet screenwriter. Jeffrey approaches Robert for sex and Elaine approaches Robert out of curiosity about his sex life in grief. The entangled triangle of relationships threatens more than the completion of a film script. Written by

Brian Cox stars as Jacques, the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas (Dano), a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing, schooling him in the male-centric laws of his alcoholic clubhouse: no new customers, no fraternizing with customers and, absolutely no women. Lucas is a quick study, but their friendship is put to the test when the distraught and beautiful April (Isild Le Besco) shows up at the bar seeking shelter, and Lucas insists they help her out.