Lee Scratch Perry’s Vision of Paradise is a unique project in many ways. It is the life story of the legendary musician, but it is not a biography, it is a fairytale documentary! The director followed Lee Perry for thirteen years and discovered an unbelievable story, a revelation, told about and with one of the major protagonists of contemporary music, the other half of the story that has never been told. The movie can be seen as a guide for how to change the world with music, with a positive attitude, mindset or, as Lee Perry calls it, vibration.
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Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.
If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
After a terrible accident deep inside an underwater cave, the survivors are forced to risk their own lives to bring the bodies of their friends home.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
Looming world government, a world “elite”, The United Nations…loss of American sovereignty! The light of our “shining city on the hill” dims. Dissecting America under judgment, Lieutenant General William Boykin and Alex Jones join Charlie Daniels in a primer for the uninitiated on The New World Order with Biblical perspective. The global feudal police state unfolds…We were born for such a time as this!
On New York’s Governor’s Island, an unprecedented program has the ambitious goal of restoring oysters and their environmental benefits back to New York Harbor. This documentary highlights the teenagers at a public high school that teaches stewardship of the waterways alongside math and English.
He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.
Following up on his 2007 documentary, The Most Hated Family in America, Louis Theroux returns to Topeka, Kansas, for a week-long visit with the Westboro Baptist Church. He again joins the Phelps family on their controversial pickets where they try to antagonise communities with offensive slogans and anti-gay placards. But four years on from Louis’s last visit, there are signs of disarray in the Phelps clan. A series of defections of family members has shaken up the church.
The show features some great light and sound effects apart from the great music that Eagles is renowned for. The ‘five-part’ harmony song, “Hole in the World” elicits a great crowd participation with the audience providing a ‘clap rhythm’ as the band sings. The song “Life’s Been Good” features some antics by Joe Walsh and Frey with them staging a mock rivalry on stage and the latter having a hearty laugh at the former. The song also features a ‘helmet cam’ session where the crowd gets to see what the camera on Walsh’s helmet points at. Also, the songs “The Boys of Summer” and “Hotel California” feature the first officially documented use by the Eagles of a drum machine in a live performance; in particular, during “Hotel California”, a pre-programmed track is used to simulate the muted guitar strums which provide a steady beat on the original studio recording of the song, and which are absent from all of the previous live performances of it.
Documentary about the wild music scene in West Berlin between 1979 and 1989.
It’s a music documentary that tells the story of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as legendary founder, Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A film of the dark, self-destructive side of creativity and the personal trauma behind it.
