What started off as a whirlwind romance takes an unexpected turn when Mark discovers his beautiful bride-to-be is plotting against him. In cahoots with an old school buddy, they hatch a plan to take half of Mark’s £20 million fortune and use it for their own happy ending. What they don’t realize is that Mark is one step ahead of them.

Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.

Meat the Truth is a high-profile documentary which forms an addendum to earlier films on climate change. Although such films have succeeded in drawing public attention to the issue of global warming, they have repeatedly ignored one of the most important causes of climate change: the intensive livestock production. Meat the Truth draws attention to this by demonstrating that livestock farming generates more greenhouse gas emissions worldwide than all cars, lorries, trains, boats and planes added together.

Four young offenders and their workers spend a weekend in the remote Yorkshire village of Mortlake, which prides on keeping itself to itself. A minor incident with locals rapidly escalates into a blood-soaked, deliriously warped nightmare.

Taylor, a journalist, and Luke, in the military, share a special bond that grows between them over the course of several Christmases that they spend together and apart.

Animals band together to save the day when the evil Otto Von Walrus hatches a sinister scheme to accelerate global warming and melt the Arctic Circle.

A group of old friends at a Hens Night discuss their issues, uncertainties, fears and fantasies.

Bo Burnham is back with a new one-man show full of his patented songs and wordplay, as well as haikus, dramatic readings, blasphemy, and so much more in his first hour-long special, shot live in his home town of Boston.

Filmmaker Jack McCoy delves into surfing’s deepest roots through ancient lore

The story of Stevie, a construction worker, and his girlfriend, an unemployed pop singer, serves to show the living conditions of the British poor class

Former high school classmates reunite and rehash old rivalries.

Follow the story of Jesus in this slapstick satire. With a name like “Jesus, the Total Douchebag” the movie should only be seen by people who enjoy blasphemous comedy, and as such, the comedy is focused on targets that are usually exempt. Director Bill Zebub explains, “Indie movies should revel in their freedom. They are not confined to the same boundaries as the big budget movies. They should give what Hollywood can’t.”