Seattle call girl Gracie Blake wakes up in a cage, in a warehouse, somewhere in America. As the days go on and her emotions rising and trying to convince her kidnapper to let her go, her chances of survival quickly fade.
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A women’s prison in the Northern China in 1932, Prisoner FU Yuan (JIANG Yiyan) digs a tunnel in her prison cell with a silver spoon and escapes. Inspector SONG Donglu (LAU Ching-wan) is summoned to investigate FU’s escape. By tracking down the letters sent to him by FU, it sets SONG off to Hong City to unravel FU’s disappearance.
Nine friends take a holiday at a Victorian home on a private island and uncover a game that when played brings out the worst in each of them. Jealously, greed, hatred, lust, all of the things they keep buried deep inside themselves rise to the surface and come to a boil.
Police officer Jack Wild discovers that the well-known international terrorist Hans Becker is on a train, carrying a wealthy business man and his girlfriend. Without a second to loose Jack hires a helicopter to drop him down onto the train to try and stop whatever scheme Becker is planning.
Special Agent Jennifer Marsh (Diane Lane) works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny’s thugs, and later meets the dead man’s sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.
A suspenseful, genre-bending film with two converging storylines. An aspiring college journalist records events in a diary about the turmoil of a society due to the insertion of a RFID chip mandated by the government. ? Years later in the rubble of a post apocalyptic society filled with decay and violence, the diary finds its way into to the hands of an officer in the New World Army who uncovers the truth about the past and discovers everything he stood for was a lie. But what will he do now?
Summer is usually a time for fun and games, but some teens get much more danger than they bargained for after beginning to suspect their neighbor is a serial murderer.
An enterprising youngster in a slum wants his people to lead a life of dignity, but has to take on an ambitious capitalist, who only wants to dominate his field.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
The latest exploitation / Grindhouse feature film from Ungovernable Films, featuring all your favorite ungovernable motifs like sex, gore, violence, nudity, schlock, and laughs! Oh, and of course a social message! This time it’s “fuck the police!”
