If These Walls Could Talk follows the plights of three different women and their experiences with abortion. Each of the three stories takes place in the same house in three different years: 1952, 1974, and 1996.

Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s “The Lost Generation,” Paul soon becomes entangled with a very attractive American woman, Chenaults and her fiancée Sanderson, a businessman involved in shady property development deals.  It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.

Elliot Richardson, suicidal techno geek, is given seven wishes to turn his life around when he meets up with a very seductive Satan. The catch: his soul. Some of his wishes include a 7 foot basketball star, a rock star, and a hamburger. But, as could be expected, the Devil must put her own little twist on each his fantasies.

Jewish Jack-the-lad David seriously fancies smart, rich Anglo-Saxon Carrie as soon as he first offends her in a Boston bar. They run into each other again and though she still says she finds him appalling he works on it and they are soon together. His even more reprehensible best mate and her blousy best friend watch bemused as the two fall deeply in love and then apparently as fatally out again

Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.