Anne-Marie Johnson
In the Heat of the Night is an American television series based on the motion picture and novel of the same name starring Carroll O’Connor as the white police chief William Gillespie, and Howard Rollins as the African-American police detective Virgil Tibbs. It was broadcast on NBC from 1988 until 1992, and then on CBS until 1995. Its executive producers were Fred Silverman, Juanita Bartlett and Carroll O’Connor. TGG Direct released the first season of the series to DVD on August 28, 2012.
Cassie Bishop was born with a gift, though she may call it a curse. She can see and communicate with the dead, helping them with their unresolved problems … whether she likes it or not. When her longtime friend Det. Tom Hackett and his new partner, former FBI Agent Damien Asante, need help solving a darkly puzzling murder, Cassie agrees to use her abilities.
Three rival actresses and their crew, desperate and hating each other, reunite for a horror movie sequel when someone starts killing them off just like in their movie, in this bitchy, raunchy comedy mystery.
After the death of their mother, three foster sisters – the shrewd business woman, the free spirit, and the caregiver – find themselves fighting for their individual dreams and fighting each other in this tale of love, lust, and tragedy.
Johnny is a high-powered executive who is definitely not looking to fall in love but a business conference takes her to wine country she meets a handsome widower Andrew who invites Johnny to meet his family after she loses her job. In helping his parents’ winery she begins to fall in love with him and his family but when she gets offered another job she has to chose between her career or Andrew
Waymon has a great job in real estate and a promising future, but he’s also trapped in a loveless longterm relationship. He meets Natalie, a beautiful club-hopping hipster, and quickly falls in love. Realizing he’s just not cool enough to attract her on his own, he seeks the help of his friend Bobby, a free-spirited smooth talker who works in the mail room at Waymon’s firm and utilizes the predicament as leverage to advance in the company.
Aspiring actor and hot-dog stand employee Bobby Taylor catches the ire of his grandmother for auditioning for a role in the regrettably titled exploitation film “Jivetime Jimmy’s Revenge.” When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother.
