UsingaHypnoTransmitter,DreggisdisruptingalltheTVstationsinthecitywithahypnoticsignal,whichbecomespermanentafter20minutes.AftertheTurtlesdestroyhistransmitter,DreggdecidestoreplicatetheTurtles’mutageninordertomakehisTechnoGanginvincibleWrittenbyAnonymous

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won’t turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle’s iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle’s willingness to cave in to society in order to save the relationship.

M. Harry Smilac is a down-on-his-luck music manager who is having a hard time attracting talent and booking gigs for his band, Kicks (The most recent of the gigs is a Dairy Queen opening!!). When making arrangements for a campaign fund-raiser, he mistakes Rick Roberts, a professional wrestler, for a musician and hires him. At that moment he becomes a wrestling manager and starts to book matches for him and his teammate Tonga Tom. The team is a success, and Harry decides to take his wrestlers and his band on a “Rock n’ Wrestling” tour. The tour is a success, and Harry feels what it is like to be a winner again.

Dracula and Renefield relocate to 70’s era New York in search of Cindy Sondheim (the reincarnation of Dracula’s one true love, Mina Harker). “Trouble adjusting” is a wild understatement for the Count as he battles Cindy’s psychiatrist, Jeffrey Rosenberg (a descendant of Van Helsing who changed his name for professional reasons?), who may almost certainly, possibly, may be in love with Cindy too.