Ben Batt
Leigh’s comedy short follows Gary’s (Lee Ingleby) attempt to buy a second-hand car. What should be a straightforward task is turned into something of a quest by various people, including dodgy East End car dealer Perry (Eddie Marsan), Perry’s taxi-driver dad (Sam Kelly), a garage owner called Derek (Robert Putt) and, not least, Perry’s wife Debbie (Samantha Spiro). Oh, and a couple of twins (Danielle and Nichole Bird) are thrown into the mix to cause further confusion. The narrative’s series of gags are shot through with sporting references and images of everyday folk taking part in grassroots sports. The swimmers, joggers, cyclists, five-a-side footballers and the rest underline the importance of sport, however casual, to the population in general and the East End of London in particular in this Olympic year. [Source — Channel 4]
The Village is a BBC TV series written by Peter Moffat. The drama is set in a Derbyshire village in the 20th century. The first series of what Moffat hopes will become a 42-hour TV drama was broadcast in spring 2013 and covered the years 1914 to 1920. A second series has been confirmed for 2014 which will continue the story into the 1920s. Future series would be set in the Second World War, post-war Austerity Britain, and so on.
The Village tells the story of life in a Derbyshire village through the eyes of a central character, Bert Middleton. Bert has been portrayed as a boy by Bill Jones, as a teen by Alfie Stewart, and as an old man by David Ryall. John Simm plays Bert’s father John Middleton, an alcoholic Peak District farmer, and Maxine Peake plays Bert’s mother, Grace. Peake is a preferred actress of the writer, who has called her “the best actress of her generation”, and she has featured in two previous Moffat series, Criminal Justice and Silk.
Writer Peter Moffat has spoken of wanting to create ‘a British Heimat’, alluding to Edgar Reitz’s epic German saga Heimat, which followed one extended family in a region of Rhineland from 1919 to 1982. Unlike Downton Abbey, this version of history is a working-class history—”domestics are expected to face the walls when the master walks by”.
Told from the perspective of the rebel leaders, the series chronicles a wave of rebellions against absolute power by those the Roman Empire called “barbarians” – tribes they viewed as beyond the fringe of civilization that lived a brutish and violent existence. But these also were men and women who launched epic struggles that shaped the world to come with a centuries-long fight to defeat the sprawling empire.
Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland’s old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.
In Cold War Moscow, a female spy steals secrets from an idealistic politician – and falls in love with him. Moscow, 1959: Katya (Rebecca Ferguson, Mission Impossible- Rogue Nation, The Girl on the Train, The White Queen), is young, beautiful – and a spy for the Americans. When she and Mischa (Oliver Jackson-Cohen, Emerald City), begin spying on Alexander ( Sam Reid, Anonymous), an idealistic Communist politician, the last thing she expects is to fall in love with him. Her choice between love and duty leads to a nail-biting conclusion that Alexander (Charles Dance, The Imitation Game) can only unravel decades later in 1990s New York. His journey back to the snowbound streets of Moscow uncovers a love triangle and betrayals from those he trusted most.