A disillusioned Delhi wife (Dolly), and her new-in-town cousin (Kitty), navigate damning secrets, dreams and their thorny dynamic on their respective roads to freedom.

Chintu Tyagi is an ordinary, middle-class man who finds himself torn between his wife and another woman.

Keshav and Jaya are from two villages near Mathura, where at least 80% of households are without any access to a lavatories. Conflict comes knocking on the first day of their marriage, when Jaya leaves Keshav’s house for good, after discovering that there is no toilet in the home. Distraught and desperate, Keshav sets out on mission to win back his love- by battling against the age old traditions, mind-set and value system of his country.

A legion of dreaded, warring dacoits terrorize the Indian heartlands.

Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out

A couple fall in love but then the groom discovers that he suffers from erectile dysfunction.

An anthology of four stories that sheds light on modern relationships from the viewpoint of the Indian woman.