Failing cosmetics magnate Sally Fay (Traci Lords) will stop at nothing to possess the waters of the Steam Room to help lift her sagging empire. What she doesn’t count on is the Steam Room Guys banding together to thwart her evil plans.

A Gulf War veteran with PTSD (Kilmer) heads to a small town to find his friend. When he arrives his friend and his family have vanished and the townsfolk afraid to answer questions about their disappearance. He soon discovers that the town is owned and controlled by one man (Gary Cole) and he doesn’t like people asking questions.

After Eric and Chloe’s breaking up, something happens in their lifes.

Do directors have any sense? Are they employing teenagers to do the background sounds? This is NOT a Walt Disney Animation where one needs sounds because no one actually speaks in the movie! I felt like I was watching Fantasia! I can hardly make out the voices of the actors due to the racket of the sound track which really should be faint and in the background! This feature is pretty bad, but it’s not the only movie which has overbearing background “music”! When one watches movies made in the 50s, 60s, 70s even 80s at least we can hear the spoken words! Now if not for the “realistic” traffic noises in a street/outdoor scene where there is indistinguishable dialogue, the majority of the presentation is drowned in excessively loud music! OK, I am not a young kid with perfect hearing, but I am not deaf! As for the movie, very predictable.

When Ross is diagnosed with terminal brain cancer and given six weeks to live, his newly engaged older brother Seth offers to spend his $50,000 wedding fund on a final trip of a lifetime. Their plans are complicated when Ross invites a call girl to join the group and Seth’s uptight fiancée insists on tagging along. This raucous road trip comedy features hip-hop star Asher Roth.

Wes Keller is a young man living in a world where oil has collapsed, the food supply has been wiped out, and cancer rates for women have skyrocketed, depleting the female population. In a barbaric environment where bio fuel, batteries, bullets and people are currency and marauders roam free, Wes tries to escape to a mythical world run on cold fusion “Plutopia”, a place that may only exist in the mind. THE BILL IS DUE. ‘Downstream’ is a view of the not so distant future. We follow a young man (everyone’s son) as he pays the price for society’s decadence.