In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West’s most maligned musical genre – heavy metal – has impacted the world’s cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world’s emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren’t just absorbing metal from the West – they’re transforming it – creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.

A chronological account of the heavy metal band Iron Maiden’s 2008 world tour through India, Australia, Japan, USA, Canada, Mexico and South America in a jet piloted by the band’s front man, Bruce Dickinson. Features interviews with the musicians, their road crew and fans.

The film discusses the traits and originators of some of metal’s many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.