In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant’s shape to see what life is like in her skin, igniting a deep seated curiosity to experience life inside the bodies of others.

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.

A delirious sci-fi riff on the Arabian Nights’ ‘Tale of the Hunchback’, that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to ‘relax’ at company-run medieval reenactments.

Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells king Shahryar her stories but these are not those in the book. These are stories based on whatever will be happening in Portugal during the production time of the film. As in the book, these stories will be tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events. This film will be about the reality of a disgraced country, Portugal, under the effects of a global economic crisis.

Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.

Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal in Valeria Sarmiento’s intimate epic.