December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.

Lisa and Marine live a life of relative companionship together, where the only man permitted into the equation is Lisa’s young son, Leo. However, their simple existence is thrown into disarray when Marie meets and falls in love with Alex, a customer at her bookshop. Lisa is left feeling excluded, and tension develop. But soon an unexpected accident forces all of those involved to reassess the situation and adopt a different position in each other’s lives.

A man without attachments or responsibilities suddenly finds himself with an abandoned baby and leaves for London to try and find the mother. Eight years later after he and his daughter become inseparable Gloria’s mother reappears.