David Banks
Nothing is as it seems as an ex-con and aspirant filmmaker set out to manufacture a horror film by scaring real people; however, when it goes too far and someone actually dies, the pair decide that killing for real on film is the way to make a truly terrifying movie.
Three women use their newly formed sisterhood to fight against sexism, bad relationships and low self-esteem. Through embracing their wild adventures, they learn the secret to ultimate fulfillment.
A genre-defying mixture of horror, sci-fi, myth, mystery and thrills told as four interlocking tales in one intelligent anthology. Ghosts, spirits, creatures, demons and more from the paranormal world collide with rational curiosity.
With the help of her friends, Emily moves to a remote home to take better care of her brother, Zack who is diagnosed with cerebral palsy. But what they don’t know is that the house kept a terrifying secret that will haunt them one by one.
In the 1970s, Richard Pryor dropped like a bomb into the sanitized landscape of American television. Raised in his grandmother’s Illinois bordello, he became famous for his expletive-filled stand-up routines about the black man trying to survive in the land of whiteys. His transition to television was stormy, and he had to battle to get every scene past the censors. The sacrifices he made to the white establishment contributed to a self-loathing that plagued him throughout adulthood. Seven marriages, and chronic drug abuse fueled endless media interest — as did Pryor’s setting himself on fire whilst freebasing cocaine. A string of friends including Whoopi Goldberg and Robin Williams recount how whenever Pryor was poised on the brink of mega success, his behavior would sabotage him — for most people to understand the comic legend you need to “omit the logic”. CN
