In 1979 Clive Sinclair, British inventor of the pocket calculator, frustrated by the lack of home investment in his project,the electric car, also opposes former assistant Chris Curry’s belief that he can successfully market a micro-chip for a home computer. A parting of the ways sees Curry, in partnership with the Austrian Hermann Hauser and using whizz kid Cambridge students, set up his own, rival firm to Sinclair Radionics, Acorn. Acorn beat Sinclair to a lucrative contract supplying the BBC with machines for a computer series. From here on it is a battle for supremacy to gain the upper hand in the domestic market.

A teenage boy is gunned down outside a nightclub and a young girl dies in a hit and run in two seemingly unrelated deaths. Deeva Jani, returns home to clear her brother Vipon of the shooting and soon discovers a much deeper conspiracy.

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Two detectives with opposing viewpoints are partnered together five years before the Apocalypse.

The Village is a BBC TV series written by Peter Moffat. The drama is set in a Derbyshire village in the 20th century. The first series of what Moffat hopes will become a 42-hour TV drama was broadcast in spring 2013 and covered the years 1914 to 1920. A second series has been confirmed for 2014 which will continue the story into the 1920s. Future series would be set in the Second World War, post-war Austerity Britain, and so on.

The Village tells the story of life in a Derbyshire village through the eyes of a central character, Bert Middleton. Bert has been portrayed as a boy by Bill Jones, as a teen by Alfie Stewart, and as an old man by David Ryall. John Simm plays Bert’s father John Middleton, an alcoholic Peak District farmer, and Maxine Peake plays Bert’s mother, Grace. Peake is a preferred actress of the writer, who has called her “the best actress of her generation”, and she has featured in two previous Moffat series, Criminal Justice and Silk.

Writer Peter Moffat has spoken of wanting to create ‘a British Heimat’, alluding to Edgar Reitz’s epic German saga Heimat, which followed one extended family in a region of Rhineland from 1919 to 1982. Unlike Downton Abbey, this version of history is a working-class history—”domestics are expected to face the walls when the master walks by”.

Undercover follows Maya, the first black Director Of Public Prosecutions. Just as she is about to take up the post and her life comes under intense public scrutiny, she learns that that her husband Nick has been lying to her for years. Twenty years ago Nick was a fearless and dedicated undercover officer, infiltrating organisations considered a danger to society because of their political beliefs. Nick built himself a fake past and now with his wife unsuspecting and his conscience killing him – his secret identity may compromise the new Director of Public Prosecutions.