A woman named Amanda lies stricken, far from home. A young boy named David questions her, trying to make her remember. She’s not his mother, he’s not her son. As her time is running out, he helps her unravel a powerful, haunting story of obsessive jealousy, an invisible danger, and the power of a mother’s love for her child.

At a Latin American Presidents’ Summit in Chile where the region’s alliances and geopolitical strategies are shaped, Hernán Blanco, the president of Argentina, lives a political and family drama. Through his son in law, he’s implicated in a corruption case. On her father’s call, Marina Blanco, attends the Summit to find protection, to earn time and to negotiate a way out. Once the thriller starts to build up, the film drifts towards a different direction: a search in their mutual past, as if in the past, a key to understand the significance of the exercise of power could be found. The history of a father versus that of his daughter. That past once calm and domestic, becomes a menacing element, almost fantastic, seen from the top of public life, seen from the Summit.

Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.

When Julián receives an unexpected visit in Madrid from his lifelong friend Tomás, who now lives in Canada, the encounter is bittersweet. This reunion, their first meeting in many years, may also be their last. Diagnosed with terminal cancer, Julián is focused on putting his affairs in order, while Tomás is still grasping at hope. For four intense days, the two men, accompanied by Julián’s faithful dog, Truman, tour the city sharing emotional, hilarious and surprising moments. Full of laughter and sadness, and led by brilliant performances by Ricardo Darin and Javier Cámara, Truman is a wonderfully touching film on how we say goodbye.