Doug is an American animated sitcom created by Jim Jinkins and co-produced by his studio, Jumbo Pictures. The show’s plotline centers around the surreal and imaginative exploits of its title character, Douglas “Doug” Funnie, who experiences common predicaments while attending school in his new hometown of Bluffington, Virginia. The series lampoons several topics, including puppy love, bullying, and rumors. Numerous episodes center around Doug’s attempts to date his classmate Patti Mayonnaise.

Doug originally aired on Nickelodeon in the United States of America. It, along with Rugrats and The Ren & Stimpy Show, comprised the original three Nicktoons, premiering simultaneously on August 11, 1991 and ending on January 2, 1994. Following the acquisition of the former Jumbo Pictures by Disney in 1996, the series aired on ABC as part of the former Disney’s One Saturday Morning programming block. The second series premiered on September 7, 1996, and ended on June 26, 1999 while having a feature film adaption. In 2011, the Nickelodeon series became syndicated on TeenNick’s then newly debuted The ’90s Are All That block.

Doug and his pal Skeeter set’s out to find the monster of Lucky Duck Lake. Though things get really out of hand when some one blurts out that the monster is real.

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A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.

Before going on vacation, self-involved psychiatrist Dr. Leo Marvin has the misfortune of taking on a new patient: Bob Wiley. An exemplar of neediness and a compendium of phobias, Bob follows Marvin to his family’s country house. Dr. Marvin tries to get him to leave; the trouble is, everyone loves Bob. As his oblivious patient makes himself at home, Dr. Marvin loses his professional composure and, before long, may be ready for the loony bin himself.

In a soon to be demolished block of apartments, the residents resist the criminal methods used to force them to leave so a greedy tycoon can build his new skyscraper. When tiny mechanical aliens land for a recharge, they decide to stay and help out.

Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend’s play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey’s initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/’lover,’ a female co-star he falls in love with, that co-star’s father who falls in love with him, and a male co-star who yearns for his affection.