Charles Price may have grown up with his father in the family shoe business, but he never thought that he would take his father’s place. Yet, the untimely death of his father places him in that position, only to learn that Price & Sons Shoes is failing. While in despair at his failed attempts to save the business, Charles has a chance encounter with the flamboyant drag queen cabaret singer, Lola. Her complaints about the inadequate footwear for her work combined with one of Charles’ ex-employees, Lauren, leads to a suggestion to change the product to create a desperate chance to save the business: make men’s fetish footwear. Lola is convinced to be their footwear designer and the transition begins. Now this disparate lot must struggle at this unorthodox idea while dealing both the prejudice of the staff, Lola’s discomfort in the small town and the selfish manipulation of Charles’ greedy fiancée who cannot see the greater good in Charles’ dream.
In the shadow of Castle Dracula, the Prince of Darkness is revived by blood trickling from the head-wound of an unconscious priest attempting exorcism. And once more fear and terror strikes Transylvania as the undead Prince of Darkness stalks the village of Keineneburg to ensnare victims and satisfy his evil thirst.
The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter (Julie Walters) as the down-at-heel waitress who, with the help of prostitute Shirley (Shirley Stelfox) and cross-dressing Wing Commander Morten (Alec McCowen), seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it’s fair to say that the presiding judge isn’t unfamiliar with her work.