Inspired by events that took place in Massachusetts, Delphine and Muriel Coulin’s provocative debut focuses on a group of bored teenage girls who all make an irrevocable pact. When Camille (Louise Grinberg) accidentally becomes pregnant, she encourages her friends and fellow high school classmates to follow suit. It’s only a matter of time, before 17 girls in the high school are pregnant and the town is thrown into a world of chaos. Set in the writer/directors’ small, seaside hometown of Lorient in Brittany, 17 Girls is a reflection on adolescence, body image, friendship and the perplexing realities of growing up.

Since Charlie is no longer there, the lives of Boris, Elie, and Maxime have been torn apart. These three men, who have nothing in common, all shared one thing: their love for Charlie. One loved her like a sister, one loved her like the woman of his dreams, one loved her like a friend. Except that Charlie is dead and none of them – not Boris, an accomplished businessman, not Elie, a night owl scriptwriter, and not Maxime, still living at home with his mother – know how to deal with it. But because she asked them to do so, they abruptly decide to undertake a journey together, heading for Corsica and the house that Charlie loved so much. Except that here they are stuck in a car together for over 500 miles. It’s going to be a long journey. Boris, Elie and Maxime, three men, three generations, no affinity. But by the time they arrive at their destination, they will have realized one majorly important thing: Charlie has changed their lives forever.

Jacques Mesrine, a loyal son and dedicated soldier, is back home and living with his parents after serving in the Algerian War. Soon he is seduced by the neon glamour of sixties Paris and the easy money it presents. Mentored by Guido, Mesrine turns his back on middle class law-abiding and soon moves swiftly up the criminal ladder.

A man receives a mysterious e-mail appearing to be from his wife, who was murdered years earlier. As he frantically tries to find out whether she’s alive, he finds himself being implicated in her death.