Rocky IV is dually symbolic – it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.

In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the “Terminator” back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?

John Milius’s jingoistic direction and pulpy screenplay fit perfectly into this film version of the Robert E. Howard fantasy story of the sword and sorcery hero, Conan the Barbarian. The story begins when a horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom (James Earl Jones), the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria (Sandahl Bergman) and Subotai (Gerry Lopez). The group comes upon King Osric (Max Von Sydow), who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.

Pumping Iron is a 1977 documentary film about the run-up to the 1975 Mr. Olympia bodybuilding competition. The film focuses on Arnold Schwarzenegger and his competitors, Lou Ferrigno and Franco Columbu. The documentary was co-directed by Robert Fiore and George Butler. It was based on the book of the same name by Charles Gaines and George Butler (Simon and Schuster, 1974).