Geoffrey Streatfeild
A woman moves to live with her new husband in 17th century Amsterdam, but soon discovers that not everything is what it seems. Based on the adaptation by Jessie Burton.
Elizabeth I is a two-part 2005 British historical drama television miniseries directed by Tom Hooper, written by Nigel Williams, and starring Helen Mirren as Elizabeth I of England. The miniseries covers approximately the last 24 years of her nearly 45-year reign. Part 1 focuses on the final years of her relationship with the Earl of Leicester, played by Jeremy Irons. Part 2 focuses on her subsequent relationship with the Earl of Essex, played by Hugh Dancy.
The series originally was broadcast in the United Kingdom in two two-hour segments on Channel 4. It later aired on HBO in the United States, CBC and TMN in Canada, ATV in Hong Kong, ABC in Australia, and TVNZ Television One in New Zealand.
The series went on to win Emmy, Peabody, and Golden Globe Awards. The same year, Helen Mirren starred as Queen Elizabeth II in The Queen, with which she dominated the award season.
During a handover to the head of counter-terrorism of MI5 Harry Pearce, terrorist Adam Qasim escapes from MI5 custody. When Harry disappears soon after, his protégé Will Crombie is tasked with finding out what happened as an impending attack on London looms. Crombie eventually uncovers a deadly conspiracy.
The film portrays a fairy tale re-imagining of V.E. Day in 1945, when Princess Elizabeth and her sister Margaret were allowed out from Buckingham Palace for the night to join in the celebrations, where they encountered romance and danger.
Charles Price may have grown up with his father in the family shoe business, but he never thought that he would take his father’s place. Yet, the untimely death of his father places him in that position, only to learn that Price & Sons Shoes is failing. While in despair at his failed attempts to save the business, Charles has a chance encounter with the flamboyant drag queen cabaret singer, Lola. Her complaints about the inadequate footwear for her work combined with one of Charles’ ex-employees, Lauren, leads to a suggestion to change the product to create a desperate chance to save the business: make men’s fetish footwear. Lola is convinced to be their footwear designer and the transition begins. Now this disparate lot must struggle at this unorthodox idea while dealing both the prejudice of the staff, Lola’s discomfort in the small town and the selfish manipulation of Charles’ greedy fiancée who cannot see the greater good in Charles’ dream.
Match Point is Woody Allen’s satire of the British High Society and the ambition of a young tennis instructor to enter into it. Yet when he must decide between two women – one assuring him his place in high society, and the other that would bring him far from it – palms start to sweat and a dark psychological match in his head begins.
