Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex …

The disappeared — los desaparecidos — are words that carry special resonance in Argentina. Long associated with the crimes of the military junta of the 1970s, the term takes on a different, but no less chilling, meaning in the hands of filmmaker Pablo Trapero. Based on a true story that rocked Argentina, The Clan tells the almost unbelievable tale of the Clan Puccio, a seemingly normal middle-class family who kidnapped wealthy people off the street, held the victims for ransom, and, once paid, killed them.