Hanns Zischler
The dark secrets of a seemingly peaceful island threaten to swallow up an orphaned student when he grows close to a mysterious new teacher.
Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
A Jewish boy separated from his family in the early days of WWII poses as a German orphan and is taken into the heart of the Nazi world as a ‘war hero’ and eventually becomes a Hitler Youth. Although improbabilities and happenstance are cornerstones of the film, it is based upon a true story.
After the death of her husband, the mother of Julie, Jack, Sue and Tom begins to suffer from a mysterious illness. Aware that she is going to have to go into hospital she opens a bank account for the children, so that they can be financially self-sufficient and will be able to avoid being taken into care by the authorities. Unfortunately she also dies and Julie and Jack (the older, teenage children) decide to hide her body in the basement so that they can have free reign of their household. Soon Tom has taken to dressing as a girl whilst Sue has become increasingly reticent, confiding only to her diary, meanwhile Jack and Julie sense an attraction developing for each other. However Julie’s new beau, Derek, threatens to unearth the many dark secrets within this family as he becomes increasingly suspicious of Jack.
It is 1939. Flamboyant Czech diplomat Jan Masaryk has fled to America to escape his recent past. Germany has invaded Czechoslovakia and Masaryk is now a man with no nation. In America he tries to forget the personal and political betrayal he and his country have suffered but these events shadow his every step. As the Czechoslovak ambassador in London, Masaryk failed to win the support of the British and could not avert the ruination of his country. With the help of Dr. Stein, an emigre German psychiatrist, and the beautiful writer Marcia Davenport, Masaryk tries to overcome his demons and re-live the dramatic events leading to the outbreak of the second world war.
“In the Shadows” slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.
Frederick Schopner, a young management consultant, has been invited to participate in a special kind of team-building event. He and his colleagues will be chased across an outdoor obstacle course while being assessed on leadership qualities and their capacity for teamwork via video surveillance. Special highlight: the company has hired two over-the-hill actors to kidnap the consultants with unloaded weapons, keep them hostage, and to demand a high ransom from the company. A realistic role play with fun factor! But things don’t go according to plan: the actors find the make-believe scenario so convincing that they decide to put the plan into action for real, using real weapons. Meanwhile, Human Resources manager Vanessa is observing what’s happening via video surveillance and has to find a way to keep the hostage situation from escalating…
Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Pius XII and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct…
A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.
During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
The film “Amen.” examines the links between the Vatican and Nazi Germany. The central character is Kurt Gerstein, a member of the Institute for Hygiene of the Waffen-SS who is horrified by what he sees in the death camps. Moreover, he is shocked to learn that the process he used to purify water for his troops, by using zyklon, served as a basis to kill people in gas chambers.
