After the tragic death of her son, Arlene loses everything, her husband, her home and she starts to lose her mind. When the mysterious Endeavour Institute offers her a chance to travel back and change things, she eagerly accepts and begins her journey to the past. Plagued by the memories of her alternate reality, Arlene must separate the real from the false without upsetting the delicate balance. She is unprepared for the terrible price she must pay for saving her son.

An anthology film set in a brothel, Bordello Death Tales incorporates three shorts by young horror directors, linked by a sinister venue: Madame Raven’s bordello. The bloodletting begins in James Eaves’ The Ripper featuring a mild-mannered psychopath. The second story, Stitch Girl, is Al Ronald’s homage to Bride of Frankenstein. The final short is Pat Higgins’ Vice Day showing how a politician has developed a way of keeping his private life away from the prying eyes of journalists. The three directors share a love of old-school portmanteau horror like the Amicus films (Tales From The Crypt)