Ginko’s younger brother Tetsuro, a failed comedian, is the oddball of the family. Embarrassing, loud and plain inappropriate at times causes Ginko to disown him. The two reunite when she discovers Tetsuro is terminally ill. Tetsuro’s impending death marks the beginning of love and toleration.

Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is. Source: MAL