A finely tuned, emotionally raw portrait of a woman’s conflicted entry into adulthood, Once Upon a Time Veronica is a thoroughly modern anti–fairy tale. Director Marcelo Gomes shows a rare ability to get under the skin — and cut close to the bone — of his emotionally vulnerable but resilient main character. Anchored by a tour de force performance from the fearless Hermila Guedes, this sensual, psychologically complex character study charts the personal and professional growth of one young woman in Recife.

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Adapted from his autobiography, the film recounts the story of Hiroito, The King of Boca do Lixo (a region in downtown São Paulo of the fifties where various nightclubs, strip joints, prostitution, bars, and drugs can be found). Hiroito was a well born bohemian and at the age of 21 was accused for the murder of his father, who was violently stabbed over 40 times with a razor. Hiroito was not charged, however two months after the death of his father, Hiroito bought two guns and moved to Boca do Lixo and became one of the most dangerous criminals of the region.