Juliette, a lone survivor of an apocalyptic era, fights to survive against hunger, thirst, a broken leg and strange disturbing creatures that only comes out at nighttime.

This 90-minute factual drama goes behind the scenes of the hit video game Grand Theft Auto, arguably the greatest British coding success since Bletchley Park. The fastest-selling entertainment product in history comes not from Silicon Valley, but is driven by a bunch of British game designers. Friends since their school days, they are led by the game’s mastermind-designer, Sam Houser. By 2002, Sam and his creative team have constructed for their fans a vast virtual world, teeming with a high-octane mix of criminal characters, lethal weapons and outrageous storylines. Here you can even shape and sculpt your avatar, crafting their character and appearance to your personal preference. This drama is for an adult audience and has not been authorised by the producers of Grand Theft Auto. Rather, it is based on court documents and interviews with many of those involved in the real events behind this compelling story.

Tirante the knight is as committed to fighting the Turks in Constantinople as he is to relieving Carmesina, the heiress to the Byzantine Empire, of her virginity.

In director Vicente Aranda’s adaptation of the classic opera, a French writer documents the seductive power of the beautiful Gypsy Carmen (Paz Vega), who turns her charms on a young soldier (Leonardo Sbaraglia), awakening his passions but ultimately leading to tragedy. Jose becomes obsessed with Carmen and finds himself unable to control his jealousy, which forces him to make a deadly decision in this fiery story of love and betrayal.

He’s a one-man arsenal… with enough voltage to rock the free world. They Don’t Play by the Rules. You’re either on their side…or in their way. America’s top counter-terrorist usually works alone…this time he’s got company.

What if Apollo 11 never actually made it? What if, in reality, Stanley Kubrick secretly shot the famous images of the moon landing in a studio, working for the US administration? This is the premise of a totally plausible conspiracy theory that takes us to swinging sixties London, where a stubborn CIA agent will never find Kubrick but is forced to team up with a lousy manager of a seedy rock band to develop the biggest con of all time.