Mandy is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ Male identity.
In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.
Jay, a failed musician, walked out of his family and now earns a living as head bartender in a trendy London pub. Every Wednesday afternoon a woman comes to his house for graphic, almost wordless, sex. One day Jay follows her and finds out about the rest of her life (and that her name is Claire). This eventually disrupts their relationship.
A genetically engineered plant scatters its seeds and seems to cause uncanny changes on living creatures. The afflicted appear strange, as if they were replaced – especially for those, who are close to them. Or is it all just imagination? Thus starts a play between various truths,on which end stands the loss of the own identity.
Cassie Grant (Christina Ricci) is a young girl from the United States who is wandering through England on foot. On her way to Ashby Wake Cassie is hit by a car. The driver of the car, Mrs Marion Kirkman (Kerry Fox), immediately calls an ambulance. During an examination at the local hospital the doctor comes to the conclusion that Cassie only has some scratches and not even a concussion, but Cassie has lost her memory due to the accident. She only knows her name and mother country, but she does not know which town she comes from, who her family is and why she is in England.
A romance that plays out in the splashy, sensational world of British tabloids.
A young man with mental health issues becomes intimate with a suicidal air hostess but his obsessive mother enlists a dysfunctional cop to separate them.
A dangerous virus is discovered in a corporate law building, the very same firm that recently cleared an infected man on murder charges. When a quarantine is issued and the building goes on lock-down, all hell breaks loose inside. A disgruntled employee and an irate client must fight and even kill their way to the top to “have a word” with the corrupt executives who wronged them before time runs out.
In the 1970s, a young Australian boy, Timothy, finds himself confused. He falls for the captain of the football team. What follows shows all aspects of a relationship, regardless of gender or sexual preference. Conflict, temptation, and a huge burden which will affect every aspect of their lives.
James has served time for drowning a little boy when he was a child, although the body was never found in the river. A visit from his victim’s mother upon parole sends him on a quest to find the truth. With little time and danger at every turn, James risks his freedom and his life to uncover the trail of sins that might give closure to the grieving mother.
In 1950s Australia, beautiful, talented dressmaker Tilly returns to her tiny hometown to right wrongs from her past. As she tries to reconcile with her mother, she starts to fall in love while transforming the fashion of the town.
As a war rages on in the province of Bougainville in Papua New Guinea, a young girl becomes transfixed by the Charles Dickens novel Great Expectations, which is being read at school by the only white man in the village. In 1991, a war over a copper mine in the South Pacific tore the island of Bougainville apart. The reclusive “Popeye” (Hugh Laurie) offers the children in fourteen-year-old Matilda’s tiny village an escape with Charles Dickens’ Great Expectations. But on an island at war, fiction can have dangerous consequences.
Though no one can see him, Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow after Farrow’s beloved 13-year-old daughter Mia is assaulted in their home. The line between the real and the imaginary blurs as fissures start to open within the family unit. It seems that no security measure can keep Hollow Face out.
Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.
Janet Frame grows up in a poor family. She is different than the other kids. She is considered abnormal and locked away in a mental institution for eight years. Everything changes when she starts writing books.