Lech Dyblik
Diagnosed as an autistic child, Grzegorz lives in his own, hermetic world not being able to connect with others. When he is a teenager, it turns out that the cause of Grzegorz’s isolation is not autism but a deep hearing impairment, underneath which a great musical talent has been hidden for years.
A perverse, ironic, grotesque and bloody story about looking for love and discovering one’s own self in a world that divides us more than it unites us.
Lourdes, a university student, is grateful to Bernard, the town drunk, when he comes to her aid in an uncomfortable situation. But when she offers to buy him a hot meal, she ends up getting involved in far more than she bargained for.
A shocking story about addiction and attempts to overcome it. The script is based on Jerzy Plich’s excellent novel “The Mighty Angel” (alternative title: “The Strong Angel Inn”). Jerzy (Robert Więckiewicz) is a writer and a heavy drinker. We meet him at the point when he believes that he can beat his addiction. He falls in love with a young girl (Julia Kijowska) and finally feels that he has got the person and the reason to live for. But soon he yields to his addiction.
Summer of 1939. Zosia is a young polish girl who is deeply in love with Ukrainian Petro. They great love will be put to the test, when her father decided to marry her to wealthy widower Skiba. Right after wedding she is left alone because her husband is drafted to polish army for the war with Germans. Meanwhile tensions between living side by side Jews, Poles and Ukrainians grows. The girl is a witness to an increasing number of acts of violence. Culmination of this tentions will be a slaughter of polish people by ruthless bandits of UPA and polish actions of self-defence.
War and Peace delineates in graphic detail events leading up to the French invasion of Russia, and the impact of the Napoleonic era on Tsarist society, as seen through the eyes of five Russian aristocratic families. Portions of an earlier version of the novel, then known as The Year 1805,were serialized in the magazine The Russian Messenger between 1865 and 1867.