Leigh Lawson
Julia Lambert is a true diva: beautiful, talented, weathly and famous. She has it all – including a devoted husband who has mastermined her brilliant career – but after years of shining in the spotlight she begins to suffer from a severe case of boredom and longs for something new and exciting to put the twinkle back in her eye. Julia finds exactly what she’s looking for in a handsome young American fan, but it isn’t long before the novelty fling adds a few more sparks than she was hoping for. Fortuately for her, this surprise twist in the plot will thrust her back into the greatest role of her life.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.
This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.
